Nine Pound Hammer Lexington, Kentucky
Blindly driving an old scrapheap with a stuck accelerator, fueled by potent trailer-park hootch and heading straight for hell, Nine Pound Hammer roared out of Lexington, Kentucky, belching mother-humping bourbon-soaked rock’n’roll and a sardonic swig of Southern culture that makes Jason and the Scorchers sound like a Sunday afternoon tea society and the Cramps like fussy stylists. ... more
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hardcore punk, jazz, alien themes, kind of all my jams wrapped into a tight package. Intense, freaky, lean runtime but feels dense especially being sectioned into essentially 4 parts. Easily one of the best punk records of the decade so far. Also that drumming...holy shit
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Sweet Death And Ecstasy
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supported by 5 fans who also own “Black Sheep”
A must own. Catchy riffs and high energy. This is how heavy metal should sound.
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The New OK
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supported by 5 fans who also own “Black Sheep”
The Truckers continue to be as relevant as ever , and in this era of right wing bullshit....it heartens me to see them as headstrong as ever.
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Jagged post-punk from Sydney captures the sound of the ’70s in its acute angled guitars and detacted vocals.
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R.M.F.C., the brainchild of 18-year-old musician Buz Clatworthy, lands a punk-rock one-two punch.
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Shybaby kicks out the jams on “Is This Intimate,” a snarling rock record that takes no prisoners.
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